Everything is on tunein only. Along with Gene Clark’s “No Other” and John Philips “The Wolf King Of L.A.,” David Crosby’s “If I Could Only Remember My Name” is considered another great lost classic. Wow. ... and the AM dial of New York City. Damn. The album closer "Thank you for talkin' to me Africa" is essentially a slowed down version of a previous single of theirs "Thank you for lettin' me be mice elf again", is absolutely devastating in it's simplicity; a bluesy number on hedonism and self resignation that goes on for a good 7 minutes, but still feels exceedingly short. The Super 70s! You can already see them moving into the dense, atmospheric style of Remain in Light, with producer Brian Eno's influence becoming more prominent, but their pop sensibilities are as strong as ever, and the album features a number of great songs with the band really showing us everything they could do. The result is jaw dropping; a man left with his thoughts, employing a minimalistic, murky approach to his funk, lays down some of the bleakest tunes soul music had ever seen. I suppose you should also add catchy, memorable, witty, ironic, subtly intelligent, etc., but in the spirit of the Ramones I'm going to keep this review simple. While "Sound and Vision" is the standout single (and what a great tune it is with a blend of Synthpop, Funk, and Disco swagger) its really the rest of the album that shows why Bowie has such the reputation. The Clash went on to bigger, more succesful projects but this remains at the heart of what made them what they were. It's just as relevant today as ever. And with their 1973 release, _Raw Power_, their muscle is in full-flex-mode. has the song (Mississippi Queen) that made Mountain famous, it's a pure blast of scathing power chordage and was one of the heaviest songs on the planet at the time of it's release. The songs 'Johnny Be Rotten', 'Drugs in my Pocket' and 'Nice Legs, Shame About Her Face' all received lots of airplay on the radio. _Innervisions_ is for me the apex of Stevie Wonder's career. The difference between this and his mid-Sixties recordings, though, is that this has a much more looking back feel. But apart from aggression, I love "Solitude", again representing a quiet interlude amidst all the doom and gloom. This album alone has changed the face of music. Starting with the anthemic duo of 'We Will Rock You' and 'We Are the Champions' - News then delves into gloriously diverse waters, the punky and thunderous Sheer Heart Attack, the sad and melancholic All Dead All Dead, the rootsy blues of Sleeping on the Sidewalk, the grinding boogie of Fighting from the Inside and the mindblowingly big penultimate 'It's Late' (still my favourite Queen song) then dwindling into the beautiful 'My Melancholy Blues'. "The Blues Had a Baby and They Named it Rock n' Roll" and Muddy was the doctor doing the delivering. Much of the lovable, teenage awkwardness from the first two albums is gone, but replaced by a sense of confidence, with Byrne tackling issues such as the energy crisis, pollution, and censorship in music, but also have a lot of fun in other places. I spent a good part of the long New Year’s weekend listening to Sirius XM’s special countdown of the top 300 songs of the ’70s. Search results 1 to 0 of 0 total matches : Channel: Artist: Title: Date: Time : SIRIUS Schedules: Played and Playing On SIRIUS: More SIRIUS Information: Full SIRIUS Schedule David Byrne and crew hit hard on "Thank You For Sending Me An Angel," the opening track on _More Songs about Building and Food_, and never look back. One of CHIC's greatest titles, it deservedly reached the Top 5 at both sides of the Atlantic. "Mannish Boy" tops the original. Got it? "Can You Get to That" is an anthem, and "You and Your Folks, Me and My Folks" shows a knack for combining thoughtful social critique with irresistible, booty-shakin' rhythms on par with Sly Stone. The nine-minute plus "Theme" is a tad long, and makes the Pistols sound very poppy in comparison. It's the first introduction to a sheer force of nature that hasn't been seen since the likes of Anna Mae Bullock (Tina Turner) busted free of Nutbush. The remastered CD by Southbound is incredible, with bonus tracks and wonderful sound quality. WHAT YOU'LL HEAR. Nico succeeds where so many fail: she conquers the darkness through music, and with her soothing voice amongst confusing sounds she actually reaches your deepest fears, and shakes them all over. David Byrne's just as quirky and weird as ever, but his lyrics are better here than anywhere else. 70s on 7 is counting down the Top 700 songs of the 1970s, according to you — the real experts.. Vote for your favorite 30 songs from the early ’70s and your favorite 10 songs from the late ’70s, then tune in to hear the results played back as you voted on them, on Friday, July 3 at 12 pm ET on 70s on 7.. You may vote once for each poll through June 24 at 11:59 pm ET. I think it's my favourite because it's so aggro and downtuned, even more than their first two albums. The cover alone is enough to make one pick up this LP. Nick Lowe's production credit is the giveaway here; this is as much power-pop as punk. ", a slightly less known musician (but equally, if not more talented) called Sly Stone responded with this album. A radio veteran who grew up listening to Cousin Brucie, and the AM dial of New York City. Parallel Lines received much acclaim, and to this day it makes many best album lists, but is it really Blondie's best work? Once you've given it a few spins it's sure to become a lasting favourite. Queen often goes from pop-rock anthems and little simple songs to musical genius and some of the best writing in rock music ever heard. Although the world would eventually catch up with them for a short while only to lose track after their short tour as chart-conquering behemoths came full stop, Cheap Trick’s eponymous debut was too smart for Kiss fans (although “Surrender” may have eventually won them over two albums down the line with its mention of Mom and Dad groping, fumbling, and mouth breathing on the sofa with Bill Aucoin’s charges as a backdrop) and too loud for AOR, Rockford, Illinois’ apostles of absurdity figuring the best way to keep ‘em entertained was to keep ‘em guessing. His best work is melodic, engaging, and effortlessly funky, and usually features some beautiful and complex arrangements and production. One is the most famous one. This is a great album, if you can make it past the opening track which is noisier than anything Lydon had recorded previously. Dylan rode this wave of new inspiration and artistic fervour with the follow-up, _Desire_, recorded during 1975 and released at the beginning of 1976. Like Velvet Underground or Silver Apples they knew the exact time for a melody and invented new sonic textures, eventually cold at the first sight yet strongly humanized. My parents were married in 1971, but I can guarantee there was no Sabbath played at their reception. The 1970s (pronounced "nineteen-seventies"; shortened to "the ' 70s") was a decade of the Gregorian calendar that began on January 1, 1970, and ended on December 31, 1979. Urban legends are cool. Excellent reissue of a kick-ass classic. WKWN pretty much airs Casey Kasem, Dick Clark & Dick Bartley on the weekends. “The raw power of Iggy Pop predated punk.” An anonymous quote I heard from some time back that sums up the very essence of what Iggy and the Stooges were about. Let me know if my rather romanticized view of '70s black people, who I've always seen as just about the absolute embodiment of cool, is distorting the truth about the genre, but what I'm envisioning here is an entire genre of movies devoted entirely to blurring the line between "so bad it's good" and "legitimately awesome" so thoroughly that there might as well not be one, full of cheesy dialog that gives way to thrilling fist- (or gun-) to-face action, propelled along by men and women of action that manage to way out-badass white action heroes and who have all kinds of gratuitous sloppy sex all over the place, all backed by soundtracks from the very best of '70s soul. Byrne's voice and songwriting has never again been so electric and totally captivating. If I had to pick my favorite tracks, which is nearly impossible because every track is essential, I would say "(If Loving You Is Wrong) I Don't Want to Be Right", "The Rap", "All I Want Is a Fighting Chance", "I'm Through Trying to Prove My Love to You", and "Summer (The First Time)". It's great to know obscure records like this are out there, especially one like this that stands up well today. But damn, for anyone into. The Talking Heads' debut album is one of those neither here nor there albums that influenced everybody that came afterward. We couldn't say this isn't civilized music. Mayfield layers his players like a grandmaster, creating a lush soul symphony for his social agenda. and Shadow (is one of the most unique dubs I've heard in some time...and it rocks! There's certainly good reasons why this album sold amazingly. This is wonderful AOR/pop which anticipates the Eighties keeping rooted in the most American part of the Seventies: virtually bypassing the "punk revolution". Listening to this album, I couldn't help but be struck by how 'modern' it is. The dollar had an average inflation rate of 3.81% per year between 1970 and today, producing a cumulative price increase of 574.18%.. Dream Lover Bobby Darin. A bright beam of white light picks out movement from under the sheet and flashes off a number of blades which pierce the plastic and slash vicious tears into the black skin. It's one of her most popular albums, and with good reason. Then there's also Tom Herman's amazing guitar - that fucked up backwards and upside down sounding solo on "The Modern Dance" is in itself reason enough to pick this up, but there's much more up his sleeve. One of the best debut albums of all time that captures the ambience and attitude of the times in which it was created. For the uninitiated, it has wit, verve, humour (best couplet "while you're daddy's asleep, and I do the same with his daughter" - “The Range War”) over a mixture of rich ballads, pure pop and even a killer rocker for good measure. Fogarty is his usual great self, but give some credit to brother Tom for his best rhythm playing ever. Get the ad-free and most optimal, full-featured Sporcle experience. The Stones made more hits than any other band in history(The Beatles are the exception.) The more minimal electronic Drugs is another treat, and who can forget the opener, I Zimbra, sung entirely in Swahili, and hinting at the sound of Remain in Light. Suprised to see this hasn't garnered more attention, as this album is quite a nice slab of Roots/Dub with no shortage of memorable and infectious grooves: You I Love and Not Another (which utlizes some rather left-field electronics, which only adds to the dubby nuttiness), Boz Rock, Show Me Mine Enemy (though dissimilar in tone, more electro-wackiness!) Among many highlights, Sugar Ray served up the triple-platinum 14:59 powered by era-defining hits such as “Every Morning,” “Someday,” and “Falls Apart.” Why Thank You For The Music was not a worldwide single in 1978 is beyond me. Only thing better would be seeing this on vinyl. Since I Don't Have You The Skyliners. I respect the Todd for doing whatever he feels like doing, even if often the result is less than palatable. Elton John was the artist with second-longest most cumulative number-one hits … Choose Your Favorites. Triumphant. Test your knowledge on this music quiz and compare your score to others. 2 months ago. 1979 was really a great year to a new kind of music. Many people seem to forget that one of Sly's biggest hits did not come under the 'Family Stone' moniker, but was released as a bona fide solo project. 60s on 6 recently counted down the Top 600 songs of the 1960s, according to you — the real experts. The band is featured in the sleeve this time, in contrast to Riot this feels more like a group project. There are fresh remakes of "I Want to be Loved" and "I Can't Be Satisfied" as well as strong originals. Another classic for Willie, the set-up to his absolute masterpiece Red-Headed Stranger. A quiet wonder from a beautiful lady. Roy Orbisson gets a tip of the hat with an outstandig cover o "Ooby Dooby". The songs are longer, more jam oriented and completely fascinating. All three of us picked _Who's Next_! It is a tossup whether to give this a 5 or not. Isn't "Sweet Leaf" some sort of national anthem for potheads? But _Hide In Your Shell_, the third track pulls one back again and the rest of the album keeps you intrigued: the miniature rock-opera _Asylum_, the excellent single _Dreamer_, the beautiful _Rudy_ and the overwhelming brilliance of album closer _Crime Of The Century_. But which female artist from that era was your favorite? Even Hole In Your Soul has a great intro and some lovely "a-ha's" from Agnetha and Anni-Frid. It would of course help if KOKZ would return to their old reliable ways instead of having multiple stream drops as has happened the past few months (though the 1/14/84 went well yesterday). 89% Upvoted. "The Song is Over" is quite lovely, and of course this album ends with two of The Who's most classic tracks; "Behind Blue Eyes" and the Anthem "Won't Get Fooled Again". Considered an ambitious project at the time.This weighs in a lot heavier than Rumours,although thats still a classic album. Prior to recording this album, Sly Stone more or less locked himself up in a studio, and fuelled by the aforementioned air of negativity, chooses to create a haunting conceptual album whilst spiralling under the heavy weight of substance abuse and worsening relationships between him and his band. My attention span almost always begins to wander after 12 or 13 songs. So good it does a beatles song and doesn't get an 0.5. The entire album is fueled by the tension in the band, so while I'd love to say I wish the band had stayed together, this album would be so much worse if they had a chance. It is defiantly intellectual and precise in this year of punk rock anger and sloppiness, and feels modern even thirty years later. Vote for the top songs from the '80s on SiriusXM '80s on 8. "Blue Eyes Cryin' in the Rain" and "Can I Sleep in Your Arms Tonight" are two of the most beautiful, aching songs I've ever heard. Before Al Green accelerated his rise to soul superstardom by mixing southern aesthetics with a more sophisticated (and to me, more bland) sound, he pumped out one album that made no such compromise. ... Vote for the top songs from the '70s on SiriusXM '70s on 7. But, divide it up again, and you get two very different schools of rock. Most baffling about Transformer is that it was Lou Reed actually caring about what people though for a second and trying to be something that he in fact was not. 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The post-hippies and glam queens, the children of god and the glitter chicks, the alcoholics outside the soon to open bars, the lunch-time trendies and the denizens of the sooncome night, the office people and the sandwich bar girls - all of 'em were there....all of 'em with me, all of 'em part of me and the fact that I was discovering the world this way...through the pre-disco dance clubs and the other places I would play in my own band. In any case, Castle does a superb job here, including a huge foldout CD packet with more history on the Modern Lovers than we have a right to expect. by Ogliver Plays Quiz not verified by Sporcle . It's confident, playful (if also darker and more serious than his Floyd material), whimsical and open. Or the way that this version of "The Modern Dance" is so dominated by the synth where the version on, Following on from her universally acclaimed debut. CHANNEL 7. The harmonica in _School_ immediately grips you by the throat telling you there's something special going on here. Go Orange. High quality disco-funk. This LP is no exception. hide. What those people failed to realize is that "Heart of Glass" was an ironic comment on the state of pop music at the time, not a sell out. The 70's series used to be the easier of the two to find stations that had good audio and played all the extras, but that's now gotten to be much harder with so many subscribing stations either dropping the show or moving to the 80's. His ambient and instrumental compositions are captivating, but I think Eno is at his utmost with the wry, surreal progressive-pop songs, and those are few and far between on this one. Like a sci-fi caesarean Devo push themselves through, clutching instruments and dressed in vivid yellow boiler suits. This album is so well produced and the songs are so great (with the exception of Hole In Your Soul). And rightly so! It's the second side of the album, though, where the band really deserves credit for being innovative, Electric Funeral and Hand of Doom featured sinisterly heavy riffs, which no doubt were a major influence on the doom metal subgenre. Hopefully, this list will help you decide between the best 70-300mm lenses. This list includes a wide variety of hits from adult contemporary to rock and R&B. "Savoir Faire" ("Know How") slows down the pace - it's a wonderful instrumental groove with a stunning jazzy guitar solo, going on for 5 minutes and not getting boring one single second. The group has sold 10 million records, notched four top 10 songs, posted up hundreds of millions of streams, and sold millions of tickets. It may not have the mind blowing sound of its successor, but Fear of Music doesn't need it. Needless to say, it was only the ear-splittingly lovely intro to "Non-Alignment Pact." Neil Young has made so much great stuff, and been such an important figure of various genres, but the country-rock feel is what he describes the best. Vote in the poll below, then tune in to ’60s on 6 … Maybe I'm just hoping that some of that urban cool will rub off on me. And I'd be remiss if I didn't mention Allen Ravenstine, who's just starting to take over the shape of the band here (for a while), in his quiet and understated way. I think it's one of the greatest ever recorded; each track is outstanding. In my estimation Curtis would never again make an album this strong. PLEASE NOTE: This list is meant only as a guideline - there are going to be individual instances of stations starting the show early or late, not airing parts of the show, not airing the correct show, not playing optional extras on a consistent basis, as well as many other instances.W. This album could easily be summed up in two words, but that takes all the fun out of the reviewing process. The first time I ever heard "Baba O'Riley" I was stunned, I'd never heard anything quite like it. It took all of a minute or so for me to realize I loved this album (when Willie sings "...and he screamed like a panther in the middle of the night," the phrasing just kills me.) "Machine Gun" is the most documented song on the album, but it certainly isn't the best. No matter what you call it, _IV_, _Untitled_, _Four Symbols_, _Zoso_, or _The Ruins_, Led Zeppelin's fourth LP is the group's most recognizable work and commercially popular release. Pretty much the perfect pop album in my book, I've loved this album since I first bought it years ago, love it still and will be loving it years from now. There's both the funky spirituality of "Higher Ground" and the gospelly and intense desire of "Jesus Children of America". A sort of emotional logic at play, and yet it also aspires to be both cosmic and/or vaguely metaphysical. With the advent of the CD, many groups put out hour-long albums these days. I spent a good part of the long New Year’s weekend listening to Sirius XM’s special countdown of the top 300 songs of the ‘70s. My personal favorites are "Death on Two Legs" and, of course, "Bohemian Rhapsody". Climbung! Just awesome heavy rock songs that influenced almost everything that came after them. Support Sporcle. Her reputation has grown over the years, but some still find her too esoteric. As Band of Gypsys bassist Billy Cox noted recently, "There's only two types of guitarists around today: there are those who admit being influenced by Jimi Hendrix, and those who try to pretend they aren't.".
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